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Top Gun 2

CBH99 said:
US Army aviation branch, or USN?

Hmmmmmmmm...time to dive into...wikipedia??  :dunno:

2015 numbers, but ratios likely similar in 2019.

USAF - 5199, US Army - 5117, USN/USMC - 3,847.

Huah! :salute:

Regards
G2G
 
Good2Golf said:
2015 numbers, but ratios likely similar in 2019.

USAF - 5199, US Army - 5117, USN/USMC - 3,847.

Huah! :salute:

Regards
G2G

So the Navy/Marines are more efficient?  ;D
 
FSTO said:
So the Navy/Marines are more efficient?  ;D

Depends how many CTGs are actually active, but the USN’s Blue water point presence doesn’t have the global presence that the USAF has, so the law of averages doesn’t look good for them.
 
New trailer, and apparently it's actually-actually coming out on 27 May.

 
A long-running trope in the military says that it’s illegal to accurately depict military uniforms, but it’s a bit more complicated. It is illegal under the U.S. criminal code to fraudulently impersonate a member of the armed forces, but there is an exception made for theatrical productions.

“While portraying a member of the Army, Navy, Air Force, Marine Corps, or Space Force, an actor in a theatrical or motion-picture production may wear the uniform of that armed force if the portrayal does not tend to discredit that armed force,” reads the U.S. criminal code.

...

Most of these gaffes in film and television production are almost always a result of simply not having a technical advisor on set. Or not having the time or resources to find the right kinds of uniforms or equipment. And certain theatrical elements are always going to take precedence over reality.

...

What’s notable about this particular oversight is the amount of input and assistance the Navy has given this film.

...

Is noticing the wrong ribbons a bit nitpicky? Perhaps. But when the Navy has this big of a role in the production, it pays to get its money’s worth.

 
They get it wrong so often that when Netflix's Space Force got it right, T&P had an article about that too.

 
Finally, the psychoanalysis is in and stating the obvious about the Navy ;)


Comparative Media Studies 201: “Heterosexual Undertones in Top Gun”​


Since its release in 1986, Top Gun has been universally accepted as the homoerotic story of a pilot whose “inverted” flying style puts him at odds with the straight-shooting patriarchal value system of the US Navy1. Yet while the past three decades of film criticism have reaffirmed this interpretation, recent study suggests that subtle layers of heterosexuality pervade the text. As unlikely as it seems, a closer reading reveals a romance between a cocky male pilot and his female instructor.

Indeed, this theory is inherently outlandish and absurd. How could a film featuring beach volleyball games, gratuitous locker room scenes, phallic fighter jets, and language such as “You can be my wingman anytime,” “Hard deck, my ass. We nailed that son of a bitch,” and “Buzzing the tower” be anything but a gay fantasia on naval aviation themes?

This paper, however, should not be written off as a stretch, or a Room 237 conspiracy theory, or “a contrarian opinion written solely for the sake of academic provocation” (which this author was previously accused of for writing “The Lion King’s Critique of Neo-Colonial Patrilineal Succession”). No. In this case, the critical community did not look closely enough at Top Gun, taking the text at face value and not recognizing it as an intellectual target-rich environment.

Whether it is a glance, a throwaway line (“You always go home with the hot women”), or the scenes where Maverick has sex with a woman, there are subtle instances of straightness that are impossible to deny. It is unclear if director Tony Scott intended this reading, but too many clues exist for it to be purely coincidental. These details appropriately fly under the viewer’s radar, much as Maverick did to the MiG in the film’s opening dogfight.
The first hint comes in the famous beach volleyball game, set to the sound of Kenneth Loggins’ “Playing With the Boys.” The scene, highlighting a shirtless and sweaty Tom Cruise and Val Kilmer (and a clothed Anthony Edwards), plays like a hyper-masculine exercise in reaffirming Susan Sontag’s definition of camp2. Yet in a wink to the audience, Maverick occasionally and subtly checks his watch during the game. This indicates that he is late, pointing us back to the overlooked plot point of his planned mid-day rendezvous with Charlie (portrayed by Kelly McGillis).

 
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