Rifleman62 said:When you view the video suggest you stop play and look at the stunning stills.
https://taskandpurpose.com/new-trailer-for-they-shall-not-grow-old-is-epic/?bsft_eid=d4bdea7b-0afd-4dbf-8117-0fbbf146bb6d&bsft_pid=5ca09d7e-8128-449d-a4bf-fe2898ded44b&utm_campaign=tp_daily_monday_pm&utm_source=blueshift&utm_medium=email&utm_content=tp_daily_pm_ricks&bsft_clkid=a693ccfd-e828-4223-8530-f62a3dedb9d0&bsft_uid=1fba1701-e094-4757-90c5-0bf8c4675b71&bsft_mid=9b99dafd-7151-47cc-8db6-33d97a1b2eb9&bsft_pp=2
The Extended Trailer For Peter Jackson’s New World War I Documentary Is Epic
If there were ever a good time to be British it would have been on Nov. 11, the 100th anniversary of Armistice Day, when BBC Two premiered Peter Jackson’s highly anticipated World War I documentary They Shall Not Grow Old.
As for those of us stuck on this side of the pond, we still have a few more weeks to go before we too can watch the film, which debuted in the U.K. to rave reviews. The Guardian’s Peter Bradshaw gave it five out of five stars, writing, “The soldiers are returned to an eerie, hyperreal kind of life in front of our eyes, like ghosts or figures summoned up in a seance.”
Set to hit U.S. theaters on Dec. 17 and Dec. 27, They Shall Not Grow Old is the culmination of a four-year project commissioned by the Imperial War Museum in partnership with the BBC. Jackson and his team distilled 600 hours of grainy black and white footage into a 99-minute documentary, using state-of-the-art technology to add depth and colors. As Bradshaw notes, Jackson also “used lip-readers to help dub in what the men are actually saying.”
Warner Bros. released a 47-second trailer for the film last month. At nearly three times as long, the new trailer provides a better look at the sheer breadth of the project. See for yourself: (Video at Link)
Rifleman62 said:When you view the video suggest you stop play and look at the stunning stills.
https://taskandpurpose.com/new-trailer-for-they-shall-not-grow-old-is-epic/?bsft_eid=d4bdea7b-0afd-4dbf-8117-0fbbf146bb6d&bsft_pid=5ca09d7e-8128-449d-a4bf-fe2898ded44b&utm_campaign=tp_daily_monday_pm&utm_source=blueshift&utm_medium=email&utm_content=tp_daily_pm_ricks&bsft_clkid=a693ccfd-e828-4223-8530-f62a3dedb9d0&bsft_uid=1fba1701-e094-4757-90c5-0bf8c4675b71&bsft_mid=9b99dafd-7151-47cc-8db6-33d97a1b2eb9&bsft_pp=2
The Extended Trailer For Peter Jackson’s New World War I Documentary Is Epic
If there were ever a good time to be British it would have been on Nov. 11, the 100th anniversary of Armistice Day, when BBC Two premiered Peter Jackson’s highly anticipated World War I documentary They Shall Not Grow Old.
As for those of us stuck on this side of the pond, we still have a few more weeks to go before we too can watch the film, which debuted in the U.K. to rave reviews. The Guardian’s Peter Bradshaw gave it five out of five stars, writing, “The soldiers are returned to an eerie, hyperreal kind of life in front of our eyes, like ghosts or figures summoned up in a seance.”
Set to hit U.S. theaters on Dec. 17 and Dec. 27, They Shall Not Grow Old is the culmination of a four-year project commissioned by the Imperial War Museum in partnership with the BBC. Jackson and his team distilled 600 hours of grainy black and white footage into a 99-minute documentary, using state-of-the-art technology to add depth and colors. As Bradshaw notes, Jackson also “used lip-readers to help dub in what the men are actually saying.”
Warner Bros. released a 47-second trailer for the film last month. At nearly three times as long, the new trailer provides a better look at the sheer breadth of the project. See for yourself: (Video at Link)
Yes.Was cool how they figure out one of the speeches the officer gave his troops the day before the Somme.
and the film closes the final credits with Mademoiselle from Armentières.
...Ask a black American soldier, fighting in a segregated regiment, whether his experience of the war was the same as the British soldiers he fought besides. Ask one of the Arab irregulars immortalized and distorted in Lawrence of Arabia what it was like to fight across German soldiers, who turned out to be really not so different after all, in trenches. Ask the African soldiers who fought and died in Europe. Ask what their equipment situation was, whether they got paid, or what their lives were like when the war ended. Ask the civilians whose lives were uprooted by these soldiers killing and destroying the countryside in their midst. Ask one of the women who cranked out artillery shells in the factory only to be turned away from her job at the war’s end whether or not anyone else could really understand her wartime experience.
Go ahead, ask them. I’ll wait.
...He takes the “world” out of the first world war. And then, he tells us, unbelievably, that this extremely diluted, abstract take on the British soldier could stand in for any soldier who fought in the war. Whether they were German, Canadian, American, Polish, Turkish, or Russian, he thinks their experience of the war was likely very much the same as the British soldiers whose stories he smashes together...
Agreed. Their sense of humour, their shenanigans, how they mugged for the camera, etc, was all just like today. And their comment on the sedentary civilians having to be made into shape. And I guess their tooth brushes must have been used to clean their buttons. Ha!Infanteer said:I saw it...fantastic. The biggest take away I had was that some things never change. The second biggest was that turn of the century Britain was an orthodontic nightmare.
I think the reverse is true in that those songs were so iconic of the war that the PPCLI made them theirs. As I told my friend last night, the PPCLI was founded to fight in the war so it only makes sense that there is a strong connection with WW1. I was singing along with Mademoiselle from Armentieres, as best as I could.Infanteer said:I'm convinced there was a member of the PPCLI involved somehow - the film opens with Has Anyone Seen the Colonel, is soon followed by It's a Long Way to Tipperary, and the film closes the final credits with Mademoiselle from Armentières.